Black Music Month

The Rock & Roll Hall of Fame Foundation announced several 2024 Inductees for music’s highest honor in different categories. Among those to be inducted are three very special ones who made music history. The 2024 Rock & Roll Hall of Fame Induction will be live on Saturday, October 19th at the Rocket Mortgage Fieldhouse in Cleveland, Ohio. The 2024 ceremony will once again stream live on Disney+ with a special airing on ABC at a later date and available on Hulu the next day.

A Performers Award, given to artists who have created music whose originality, impact, and influence has changed the course of rock & roll, will be presented to Kool & The Gang. A Musical Influence Award, given to artists whose music and performance style have directly influenced, inspired, and evolved rock & roll and music impacting youth culture, will be presented to Big Mama Thornton. A Musical Excellence Award, given to artists, musicians, songwriters and producers whose originality and influence creating music have had a dramatic impact on music, will be presented to Dionne Warwick.

Kool & The Gang

In a career that has lasted over fifty years, Kool & the Gang have been essential innovators in the sound of funk, soul, disco, and R&B, creating rock & roll’s most danceable anthems. Kool & the Gang are one of the grooviest and most sampled bands of all time, with a recognizable sound that resonates across generations and has brought joy to millions of fans around the globe.

Kool & the Gang took their funky groove all the way to the top with a mix of pop songwriting, fantastic vocals, and a killer horn section. Formed in Jersey City, New Jersey, in 1964, brothers Robert “Kool” and Ronald Bell got their start in clubs, mastering a repertoire of jazz standards and Motown covers. In 1969, they signed to newly formed De-Lite Records and released the up-tempo instrumental “Kool & the Gang.” They subsequently released two live albums showcasing their ability to produce brilliantly crafted songs and blistering jams over an infectious beat. Their big break came in 1973 with the album Wild and Peaceful, which leaned deep into funky grooves, horn arrangements, and chanted vocals on the songs “Funky Stuff,” “Jungle Boogie,” and “Hollywood Swinging” – three instant dance floor classics. They slid easily into the growing disco scene, with their “Open Sesame” featured on the Saturday Night Fever soundtrack.

In the 1980s, Kool & the Gang added lead vocalist James “J.T.” Taylor and released two massive hits, the bumping “Ladies Night” and the smooth “Too Hot.” With this, they accomplished something rare in the music industry – maintaining the fans who loved their funky roots, while reaching an entirely new audience tuned into their growing pop sensibilities. In 1980, they blew the roof off with the international hit “Celebration” and produced nineteen charting singles during the decade.

Kool & the Gang’s impact cannot be understated – from the throwback grooves of Mark Ronson and Bruno Mars to the inclusion of the group’s songs in almost every party playlist. Countless samples of their music laid the foundation for some of hip-hop’s biggest hits by artists including Eric B. & Rakim, Tupac, Lil’ Kim, and JAY-Z.

Selected Discography

“Kool & the Gang,” “Let the Music Take Your Mind,” Kool and the Gang (1969) • “Funky Man,” Live at the Sex Machine (1971) • “Funky Stuff,” “Jungle Boogie,” Wild and Peaceful (1973) • “Ladies Night,” “Too Hot,” Ladies Night (1979) • “Celebration,” Celebrate! (1980) • “Get Down On It” (1981) • “Joanna” (1983) • “Fresh,” “Cherish,” Emergency (1984) • “Stone Love” (1986)

Dionne Warwick

Dionne Warwick

Her vocal delivery was a defining sound of 1960s cool, with an effortless delivery and soulful tone. Dionne Warwick is one of the towering figures of popular music. Raised in a family of gospel singers, she received extensive formal vocal training as a young girl. A trip for her sixteenth birthday to see Lena Horne perform at the Waldorf Astoria would prove to be a career-defining moment. Reflecting on this experience in 1996, Warwick recalled, “It was probably the greatest influence on me.”

Soon after her debut in 1962, Warwick made an indelible impact by joining forces with iconic songwriting team Burt Bachrach and Hal David. Warwick’s vocal stylings exquisitely complemented the songwriters’ unique and idiosyncratic compositions, her voice as sophisticated as their staccato arrangements and time changes. Her vocal delivery was a defining sound of 1960s cool, with an effortless delivery and soulful tone. Songs like “Walk On By” and “I Say a Little Prayer for You” transported the listener to a different place.

In 1974, Warwick teamed up with the Spinners on the number one smash hit “Then Came You,” a song that perfectly encapsulated the sound of disco in the mid-1970s. 1979 saw another huge hit with the Barry Manilow-produced “I’ll Never Love This Way Again,” earning Warwick her third Best Female Pop Performance Grammy. In the 1980s and 1990s, she sang duets with Whitney Houston, Luther Vandross, and Johnny Mathis, among others; the biggest of these – the 1987 number one hit “That’s What Friends Are For” – featured Elton John, Stevie Wonder, and Gladys Knight.

More accolades and Grammys followed – six in total, including a Lifetime Achievement Award in 2019. Warwick continues to tour and became a Twitter sensation in 2021. Witty exchanges with Chance the Rapper spawned a collaboration between the two, an inspiring duet entitled “Nothing’s Impossible,” and in 2023 a documentary on Warwick’s life and career, Dionne Warwick: Don’t Make Me Over, further cemented her legacy. Dionne Warwick’s innovation in song interpretation, combined with a seemingly flawless ability to stay relevant, have made her a mainstay in popular music history.

Selected Discography

“Don’t Make Me Over,” Presenting Dionne Warwick (1963) • “Walk On By,” Make Way for Dionne Warwick (1964) • The Sensitive Sound of Dionne Warwick (1965) • “I Say a Little Prayer,” The Windows of the World (1967) • “Message to Michael,” Dionne Warwick in Paris (1966) • I’ll Never Fall in Love Again (1969) • “Then Came You” (1974) • “I’ll Never Love This Way Again,” Dionne (1979) • “That’s What Friends Are For,” Friends (1985)

Big Mama Thornton

Big Mama Thornton

Larger-than-life, opinionated, and a vocal powerhouse and multi-instrumentalist with rock & roll swagger, Big Mama Thornton bridged the gap between the blues and rock & roll with her brilliant vocal performances on songs like “Hound Dog” and “Ball N’ Chain.”

Willie Mae “Big Mama” Thornton was discovered at 14, soon after her mother’s death, while cleaning spittoons in Montgomery, Alabama. She spent several years performing across the Southern United States on the Chitlin’ Circuit, where she was dubbed the “New Bessie Smith.” In 1952, Thornton recorded her biggest hit, “Hound Dog.” Inspired by her six-foot large frame, razor scarred face, and the deep, gritty texture of her voice, songwriters Jerry Lieber and Mike Stoller immediately wanted to write a song for her. The ensuing growl, gravel, and howl of Thornton’s performance changed the rock & roll landscape forever. Thornton’s “Hound Dog,” with its lyrical double entrendres, was one of the first recorded overtly sexual songs told from the female perspective, and it went on to sell over 500,000 copies and hold the No. 1 spot on the Billboard R&B chart for seven weeks – three years before Elvis Presley put his mark on it. Thornton also wrote “Ball and Chain,” which Janis Joplin and Big Brother and the Holding Company made famous in 1968.

Thornton’s live performances were legendary. Standing just as tall – if not towering over – the men with whom she shared the stage, Thornton not only sang harder than her male contemporaries, she reportedly also outperformed and outdrank them nightly. As for her female contemporaries – Thornton not only refused to conform to traditional femininity – she simply overpowered them, seeming to sing and groan from the depths of the collective grief of the African American experience (“Go Down Moses”).

Thornton was also an accomplished harmonica player (“Down-Home Shake-Down”), and when not singing or wailing on the blues harp, she would hop behind the drumkit or work her way around the stage, jamming on each instrument. Promoters quickly learned she was a headliner – you didn’t bring anyone on after “Big Mama.” Sidemen, both black and white, were honored to back her up, and she was a respected colleague of Muddy Waters, John Lee Hooker, Howlin’ Wolf, Buddy Guy, B.B. King, and many others.

Selected Discography

“Partnership Blues” (1951) • “Hound Dog” (1952) • “Yes, Baby” (1953) • “I Smell a Rat” (1954) • “Black Rat,” Big Mama Thornton With the Muddy Waters Blues Band (1966) • “Down-Home Shake-Down,” Big Mama Thornton – In Europe (1966) • “Ball N’ Chain,” “Wade In the Water,” Ball N’ Chain (1968) • Stronger Than Dirt (1969) • “Go Down Moses,” Saved (1971) • “Jail,” Jail (Live) (1975)

Black Music Month celebrates legacy that continues to shape America

Black Music Month honors the enduring legacy of African American artists, from gospel and blues to jazz and hip-hop, and the advocates who helped secure

Trustee Gilmore’s Faith Leaders Walk rescheduled to June 9 due to weather

Metropolitan Trustee Erica S. Gilmore’s 4th annual Faith Leaders Walk has been rescheduled to June 9, inviting Nashvillians to join an interfaith community walk promoting

Charlane Oliver vows to keep fighting after senate punishment over redistricting protest

After being stripped of key committee roles for protesting Tennessee’s new congressional map, Sen. Charlane Oliver vows to keep fighting what she calls an attack

Nine states redraw congressional maps as redistricting reshapes 2026 midterm landscape

Nine states have redrawn congressional maps ahead of the 2026 midterms, with changes in Louisiana, Texas, Alabama and others poised to shift House control and

Fair Housing Alliance sues CFPB over rollback of longstanding lending protections

The National Fair Housing Alliance has sued the CFPB over a new rule that rolls back decades‑old lending protections, limiting disparate impact enforcement and threatening